A Conversation with Roy ThomasPart 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 Roy Thomas began his career in comics in 1965 with Charlton Comics. Weeks later, he was hired away by Stan Lee. Seven years later, Roy Thomas was editor-in-chief of the industry's new sales leader, Marvel Comics. Becoming disenchanted with so much emphasis on the business, as opposed to the editorial, aspects of the position, Roy resigned from his post as editor-in-chief late in 1974. Highlights of his years with
Marvel: Roy authored and edited Conan the Barbarian, The Avengers,
X-Men, Fantastic Four, and practically every noteworthy Marvel title. He was instrumental in the birth of the All-New, All-Different X-Men and in Marvel securing the rights to
Star Wars.
Roy Thomas created the popular element adamantium (curiously absent from
the periodic chart), gave life to martial-arts mainstay Iron Fist, and adapted
Red Sonja into a front-line feminist superstar. Roy, Alter Ego recently debuted as a solo magazine from TwoMorrows Publishing. Can you give us an overview of your first two solo issues? Our first solo issue [of Volume 3] was released in mid-September. The first five issues of Volume 2 were released as a flipbook with Comic Book Artist. Because of a weird quirk, Alter Ego Volume 3 # 1 came out 2 or 3 weeks ago, before CBA # 5 with the Alter Ego Volume 2 # 5 in it. Although issue # 1 was 84 pages, with Alter Ego Volume 3 # 2 and upcoming issues, we've upped the page count 16 pages, to 100 pages! I'm real happy with Alter Ego at its 100-page length. That's the format I wanted in the beginning. Any upcoming theme issues? I don't ordinarily want to go looking for "themes," but the second issue featured a lengthy article about the creation of the Silver Age Atom. We were amazed at the amount of documentation on the Atom's creation; documentation that doesn't exist for most characters of that time like the Flash or Green Lantern. Anything upcoming about Charlton? Talk about "lesser-known." There is little in print and next to nothing on the Internet about Charlton ... . I know what you mean! There hasn't been that much released about Charlton. John Cooke [editor of
Comic Book Artist] and I both plan to give Charlton some attention. I have an interview with the artist Pete Morisi of Charlton's
Thunderbolt fame that will include lots of great illustrations and unpublished art. Jon and I have secured an interview with Dick Giordano, who was editor of Charlton's "Action Hero" line with Ditko's
Blue Beetle and Captain Atom. We should keep watching. Comic Shop News recently reported that Red Sonja is getting a relaunch and a fresh look. Can you fill us in? I've just finished co-writing the first issue with the artist Steve Lightle for White Plains Comics. I'm really pleased to see Red Sonja coming back. There are rumblings of another Red Sonja movie. Well, I've heard interest in a TV series, much like the syndicated Conan series that was out about a year ago. Red Sonja was featured in one episode of that show. I think the producers plan to recast the part of Red Sonja for the new project. The woman cast in the role for the Conan episode wasn't exactly right for it. That doesn't mean the producers couldn't change their mind and do a movie instead. I am not in direct contact with the producers right now. I've heard that Rena Mero, Pro Wrestling's Sable, has been mentioned in the same breath with this Red Sonja project— That's the name I heard in connection with the TV show. Rena Mero couldn't hurt the project. She-Devil with a Sword and an unstoppable PR machine! I am to benefit financially from it, so that would be nice. I earned a little from the first movie [featuring Brigette Nielson] even though it was a "bomb." Most of my revenues came from spin-offs, licensing, and books at the time. I'm hoping this time the producers will do a little better job of it, and we'll all do well. I haven't been asked to be involved in the project directly as of yet. |
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